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  <created-at type="datetime">2007-09-09T15:07:25-07:00</created-at>
  <id type="integer">3</id>
  <issue-id type="integer">2</issue-id>
  <markup>&lt;div class="toc_column"&gt;            
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/introductions/trash-introduction"&gt;&lt;span class="toc_no"&gt;8&lt;/span&gt;&lt;span class="toc_header"&gt;	Introduction&lt;/span&gt;&lt;br /&gt;
&lt;span class="toc_p"&gt;John Knechtel&lt;/span&gt; &lt;/a&gt;       
&lt;/div&gt;
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;10&lt;/span&gt;&lt;span class="toc_header"&gt;	More Fluff&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;Karilee Fuglem&#8217;s photographs reveal complex worlds within dust bunnies.&lt;/span&gt;
&lt;/div&gt;
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/media/streets-of-trash"&gt;&lt;span class="toc_no"&gt;16&lt;/span&gt;&lt;span class="toc_header"&gt;	Streets of Trash&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;Toronto trash fl&#226;neur Lisa Rochon wanders the streets, shooting as she goes.&lt;/span&gt;&lt;/a&gt; 
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/media/uncle-fernando-s-garbage-triptych"&gt;&lt;span class="toc_no"&gt;32&lt;/span&gt;&lt;span class="toc_header"&gt;	Uncle Fernando&#8217;s Garbage Triptych&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;Priscila Uppal&#8217;s poems portray her uncle, known in Brasilia as &#8220;Dr. Garbage.&#8221;&lt;/span&gt;&lt;/a&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/media/pliez"&gt;&lt;span class="toc_no"&gt;38&lt;/span&gt;&lt;span class="toc_header"&gt;	Pliez&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;Susan Coolen collects paper airplanes from the streets 
of Montreal and other cities.&lt;/span&gt; &lt;/a&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;50&lt;/span&gt;&lt;span class="toc_header"&gt;	Sad Chairs&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Gay Hawkins wonders what happens when
wasted things hang around, refusing to go away. &lt;br /&gt;
Photos by Bill Keaggy.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;62&lt;/span&gt;&lt;span class="toc_header"&gt;	Trashed Space&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;Nina-Marie Lister photographs urban waste spaces and makes the case for their reinvention.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;76&lt;/span&gt;&lt;span class="toc_header"&gt;	In | Out&lt;/span&gt;&lt;br /&gt;
&lt;span class="toc_p"&gt;Braden King, Garin&#233; Torossian, and Tigran Xmalian sort junk
in post-Soviet Armenia.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;90&lt;/span&gt;&lt;span class="toc_header"&gt;	The Harbingers&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;In Nyla Matuk&#8217;s fiction the year is 2029 and something is awry in China&#8217;s zero-waste cities. Drawings by Derek Sullivan.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;102&lt;/span&gt;&lt;span class="toc_header"&gt;	Recycling&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Edward Burtynsky photographs recycling facilities in China
and Ontario.&lt;/span&gt;
&lt;/div&gt;
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;112&lt;/span&gt;&lt;span class="toc_header"&gt;	Message in a Bottle&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Mass-scale trash is the outcome of our economic system,
argues Heather Rogers.&lt;/span&gt;  
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;132&lt;/span&gt;&lt;span class="toc_header"&gt;	Airspace&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;A photographic report by Pierre B&#233;langer describes the ecologies and economies of landfilling in Michigan.&lt;/span&gt;   
&lt;/div&gt;      
&lt;/div&gt;&lt;!--toc_column--&gt; 
&lt;div class="last toc_column"&gt;
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;156&lt;/span&gt;&lt;span class="toc_header"&gt;	Media in the Dump&lt;/span&gt;&lt;br /&gt; 
&lt;span class="toc_p"&gt;Jennifer Gabrys reports on the residues from our digital devices.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;166&lt;/span&gt;&lt;span class="toc_header"&gt;	Dr. Strangelove Dr. Strangelove&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Kristan Horton recreates&#8212;in tiny trash assemblages&#8212;frames from the Kubrick classic.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/articles/the-ethical-artifact-on-trash"&gt;&lt;span class="toc_no"&gt;196&lt;/span&gt;&lt;span class="toc_header"&gt;	The Ethical Artifact: On Trash&lt;/span&gt;&lt;br /&gt;
&lt;span class="toc_p"&gt;Trash marks the limits of knowledge, argues Barry Allen.&lt;/span&gt;    &lt;/a&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;214&lt;/span&gt;&lt;span class="toc_header"&gt;	Prototypes&lt;/span&gt;&lt;br /&gt;
&lt;span class="toc_p"&gt;Brian Jungen dissects and reassembles consumer
products in order to simulate more ancient forms.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/articles/utopia-gleaners"&gt;&lt;span class="toc_no"&gt;222&lt;/span&gt;&lt;span class="toc_header"&gt;	Utopia Gleaners&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Gleaners help us find the utopian energies of what has
been cast aside, says Tina Kendall.&lt;/span&gt;   &lt;/a&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;230&lt;/span&gt;&lt;span class="toc_header"&gt;	SOUND SUITS&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Nick Cave&#8217;s wearable artworks are built from found
materials and make sounds when animated by the wearer.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/articles/refuse-refused"&gt;&lt;span class="toc_no"&gt;238&lt;/span&gt;&lt;span class="toc_header"&gt;	Refuse/Refused&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;In Priya Sarukkai Chabria&#8217;s poems the discarded&#8212;a worm,
an old woman, a shard of mirror&#8212;speak.&lt;/span&gt;  &lt;/a&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;246&lt;/span&gt;&lt;span class="toc_header"&gt;	the missing daughters of Juarez&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Rachael Cassells travels to Juarez to photograph the mothers of murdered Mexican girls.
Interviews and translations by Esteban Sheridan.&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;272&lt;/span&gt;&lt;span class="toc_header"&gt;	Plastikos&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;Susana Reisman photographs the vacuum-formed &lt;br /&gt;
packaging used to display consumer goods.&lt;/span&gt; 
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;span class="toc_no"&gt;280&lt;/span&gt;&lt;span class="toc_header"&gt;	Slough&lt;/span&gt; &lt;br /&gt;
&lt;span class="toc_p"&gt;A poem by Mani Rao explores this corporeal premise:
&#8220;The new skins you grow are slough.&#8221;&lt;/span&gt;
&lt;/div&gt;                 
&lt;div class="toc_capsule"&gt;
&lt;a href="/issues/trash/bios_pages/trash-bios-page"&gt;&lt;span class="toc_no"&gt;282&lt;/span&gt;&lt;span class="toc_header"&gt;	contributors&lt;/span&gt;&lt;/a&gt;     
&lt;/div&gt;
&lt;/div&gt;&lt;!--toc_column--&gt;</markup>
  <permalink>trash-contents-page</permalink>
  <title>Trash Contents Page</title>
  <updated-at type="datetime">2007-09-10T22:48:16-07:00</updated-at>
</contents-page>
